Knitted art

Knitted art from San Fransisco based artist Sarah Applebaum. Well, there is always something to knit...

Pictures from her website.

May Interview: Heidi from Quo Vadis Yarns

Quo Vadis

Ok so I'm not a vegan, but I'm a vegetarian and I don't wear leather so I do definitely know the rare feeling you get when you go into a store or a restaurant where everything you see is buyable for you. When you don't have to check a single label for content but just shop away. And that is exactly what Heidi from Quo Vadis offers to knitters. Not only for vegans and wool-allergic people but also for those who love yummy organic handspun and handdyed yarn. Which should be everyone basically.

Naturally, I wanted to know more about her and her shop! 

 Please tell us a bit about Quo Vadis and yourself!
 
I’m Heidi, and I’m the person behind Quo Vadis Yarns. Quo Vadis is a completely vegan yarn shop focusing on sustainable and cruelty-free fibres, and low to no-impact dyes. I also hand spin yarn from time to time with organic cotton, linen, bamboo, soy, ingeo (corn) and other plant-based fibres. I use plant dyes for my organic cotton line of yarns, which is really fun, since I get to ‘brew’ up all kinds of colours straight from the plants themselves. It’s amazing how many vibrant colours you can get from flower petals, nutshells and wood chips. 

What inspires you?

My customers inspire me a ton! Its one thing to be at home with grand ideas of changing the impact of the textile industry on the environment, being a compassionate knitter, and choosing to use dyes that won’t contaminate the water and soil and so on. But when I see that there are so many other people that feel the same way? Wow! To have the customers that I do, is to have support and encouragement that makes what I’m doing meaningful, and beneficial to others, and therefore, truly worth the effort. I’m honoured to have a creative outlet that others can enjoy and appreciate.

Can you outline your creative process?
Dyeing is something I do when I need action. At the end of the day when I’ve finished dyeing a few batches of yarn, I feel like I’ve really accomplished something.  Discovering new colourways is always a different experience. Sometimes I know exactly what I want, and I know which colours I’ll use and how I’ll do it. Other times, it’s a complete experiment and it feels like I’m playing with the colours, like finger painting or doodling. Sometimes I’ll simply mix, and pour the dye over the yarn in even sections. Other times, I’ll make stripes, dots, or blend it evenly so I get a smoothly transitioning gradation of colours. I’ve also been known do dip it, or spray it with a dye-dipped toothbrush. The whole time I’m adding colour, I try to keep in mind what the finished product will be like, and how it will knit up. I like to make colourways that are beautiful both on the skein, and as a knitted object. When I started out I didn’t keep this in mind, and ended up with really interesting colours, but they looked horrible once they were knitted. Needless to say, I’ve learned a lot since I started.

How did you come up with your business? Was it a sudden idea that struck you or did it evolve over time?
Ever since I was a kid, I knew I wanted to work for myself doing something creative. At first I thought it was in fashion, and that carried me into the world of sewing, and later costuming. I’ve knitted since I was a kid, but didn’t get serious about it until after my son was born, when I finally learned how to read a pattern, and committed to vegan fibres. It was a bit of a slow process, with a few bursts along the way. I knew I wanted to do something creative, and once I found etsy I started to see new possibilities. I have a friend who is also a dyer on etsy, and very successful. I was really inspired by her freedom to set her own hours, and how much she loved her work. I asked her opinion about having a vegan yarn shop, and she gave me the thumbs up! It’s definitely a niche, and there are lots of vegan and wool-free knitters out there.

What is the best and worst about running your own business in this industry?
I’ll start with the worst. The worst thing is that every so often I’ll come across someone who simply doesn’t appreciate what I do. For me that means that die hard wool knitters can sometimes be harsh and judgmental of my (vegan) fibre choices. Though mentioning that I offer an alternative for people who are vegan or allergic to wool often softens their views. After all, most people nowadays have a family member or friend who is allergic to wool or hair fibre. The best part I think is when I’m at a fibre show and someone who’s allergic to wool or vegan comes to my booth and says “So, everything here is wool free/vegan?” and when I answer the affirmative, they purposefully and with much delight, touch, handle and feel everything excitedly! I occasionally get emails from people who just want to tell me how happy they are that they’ve found my shop and they love my yarn. Wow! I love getting emails like that. It gives me a good reason to keep going when sales are slow or if I’m not feeling very productive.  

How do you balance your life between business and creating?
I’m not a natural business sort of person. I like to ‘make things’ with my hands. Many technical aspects I find I have had to put some serious effort into learning, like accounting, shipping, and advertising effectively. To handle the steep learning curves I have encountered along the way (at the moment I’m learning how to use my new Canon Rebel DSLR camera) I’ve made sure to be patient and do a little bit at a time, and not get so immersed that it takes up all my time and stresses me out. Currently it’s a constant flow between looking after my son and organizing his complicated autism therapy schedule, working outside the home as a set decoration seamstress (for film and television), cycling and running, practicing violin and ukulele with my fiancé, who also happens to be my bandmate, and operating this yarn business. Often I’ll be printing out cue cards for my son’s therapy sessions, making dinner, and preparing an order to be shipped all at the same time! Sometimes when I bike to work, I’ll bring packages with me, and drop them off at a mailbox somewhere in between on the 25km ride. I have found that the flexibility of this work has been amazing. It has allowed me the opportunity to create independently, and even make a humble income while doing many other things at the same time. I’m so glad to be able to have that, because if I had work hours set in stone for this shop, I don’t think I would be able to do it.
 
Do you have any advice for people who want to pursue a career in crafts?
Be patient. Make what makes you happy. Don’t accept boredom, or dissatisfaction. Its your job, you are your boss, so don’t get the impression that you have to do anything you don’t want to do. If you need help, ask. Many people are surprisingly helpful and supportive of independent artists.

I also asked Heidi to show us her workplace. I'm sort of obsessed with seeing the space where magic happens.

 

  The den is where I do most of my work. From the bottom left is my spinning wheel, electric skein winder, behind the orange curtain is my vintage singer industrial sewing machine. The boxes on the left are my knitting machine (still figuring it out), and on the shelf I’ve got all my yarn and fibre. I like to have a few things about me that make me smile while I work, so I have my Sock Summit 2011 vendor badge hanging from the rack on the left, and my Vancouver Half-Marathon medal. In the foreground is my yarn drying rack that used to be a upright loom. Very handy and pretty too!

 Thank you a thousand times, Heidi, for taking your time for this interview! I wish you all the best with your beautiful yarn!

Keep going or give up, that is the question

I'm currently working on a boat neck sweater for Isola. It's in a milk chocolate brown hue with a narrow hot pink brim and inspired by a very basic sweater of my own. But the designing of the sleeve caps makes me crazy. I don't get the math right by some reason... So maybe it will stay a dream, it remains to be seen. And typical me, when I get stuck on something, I feel like just tossing it aside and make something that's a complete opposite of what I'm doing. Which, I guess, is why I just bought this pattern for myself:



It's Still Light Tunic by Veera Välimäki and normally a piece of this size, all in stockinette stitch, makes me go snooze but for some reason a knit like this seems strangely appealing and soothing all of a sudden. I can't get it out of my head! I need to make this!

But then I look at Isola's sweater and feel guilty. Not that she would care, she is sick of me running after her with half-knitted garments to try on, but I feel it would be such a waste to leave it unfinished. It was so good in theory...

Viewer discretion is advised: Yarn porn

I had the rare opportunity yesterday of having a couple of hours all to myself when J was still at work and Isola with her grandmother. How did I spend it? Shopping with girlfriends? Sweating at the gym? Cleaning out the closets? No, I sat in front of my laptop browsing for yarn. And boy did I find some.

Don't ask me how I did it but in some way I ended up at a blog called "the Yarnista", run by the founder of Three Irish Girls, a company that specializes in hand dyeing yarn. I think I spent over an hour reading posts about how her business started, and the challenges she met as both an entrepreneur, a working mother of two (with a third on the way) and with a husband that worked a lot. She literally got up in the middle of the night (2 am!) and spent the night dyeing yarn in her basement before she got her kids to school and then attended her ordinary job as a teacher. In the afternoon she continued working with her business, answering emails, shipping orders at the same time as she took care of the kids and house. Imagine doing that every night and day of every week! (Ok, she got to sleep until 5 am at the weekends.) How on earth did she survive? I think that it must have been pure obsession that kept her going. She must have caught a serious case of the yarn flu. Or got bitten by the yarn bug.

But when you see the yarn she makes, you'll understand why it was all worth it. This is the most beautiful yarn I have ever seen. And I haven't even seen it live. What a dream to work with a yarn like this! It's too beautiful to knit with. I would keep it in the skein, admire it, and maybe cuddle with it once in while! I just let these pictures speak for themselves, they are all from her blog, the Yarnista. If you like colorful yarn at all, you need to visit this blog.

Nora

Bayfield Apple

Skyline Parkway

Observation Hill

Pansy

Lovestruck

 Feel like knitting now??

Daisy sweater in Drops Cotton Light

I managed to finish a sleeveless sweater for Isola today. Well, it was supposed to be for her but it came out way too large so it has to hang in the closet for a while. The pattern is from pickles and I picked this project for two reasons: one, I liked the daisy pattern and wanted to try it out and two, I wanted to try this yarn. It's Cotton Light from Drops. Their RELAUNCHED Cotton Light. If I remember correctly, their old Cotton Light was a cotton and acrylic mix. It was soft and squishy without being squeeky. Nice. But now it's made in cotton and polyester micro and is supposed to breath more. That's good news. It's spun with 14 threads and on their website Drops says that it's less suitable for crochet since it can split. Well, I can tell you that's it's certainly not suitable for any advanced stitch patterns either.

Although the touch of it seems a bit paper-like in the skein it knits up beautifully. It drapes very well and feels cool and soft. As long as in stockinette stitch. When I came to the daisy stitch part I felt like going crazy because it split all the time. Part of the stitch requires that you purl three stitches together, and without letting the stitches off the hook, you yarn over and purl the same three stitches togheter again. This was almost impossible. It was like having 45 separate strands of sewing thread on the needle instead of three strands of yarn. And since cotton yarn isn't as elastic as wool it didn't bounce back once it split, even though I reknit. So the yoke took FOREVER.

So the verdict on Drops Cotton Light: really great for stockinette stitch or basic stitch patterns. Crap for other stuff.

Turn on or cast on?

I just had to laugh when I saw this ad from the magazine Glamour. I don't what to think of it except that the picture is hilarious. Maybe they shouldn't blame the knitting? Or maybe she just rather knits than have sex? What's wrong about that? =P